Topic: More miracle scale blasts from the past
4 scales
| File | Description | Notes | Period (ยข) |
|---|---|---|---|
| mir10 | Mir10 | 10 | 1200.0 |
| mir11 | Mir11 | 11 | 1200.0 |
| mir12 | Mir12 | 12 | 1200.0 |
| mir9 | Mir9 | 9 | 1200.0 |
Thread (5 messages)
From: genewardsmith (2010-09-10) Subject: More miracle scale blasts from the past These were optimized to have as much 11-limit dyadic, triadic and tetradic harmony as possible, so they should be about as good as it gets for the size of the scale. Expressed in secors. 9 notes [-6 -5 -4 0 1 2 3 8 9] 10 notes [-2 -1 0 4 5 6 7 11 12 13] 11 notes [0 2 4 6 8 10 11 13 15 17 19] 12 notes [-3 -2 -1 0 3 4 5 6 7 11 12 13]
From: Mike Battaglia (2010-09-10) Subject: Re: [tuning] More miracle scale blasts from the past On Thu, Sep 9, 2010 at 8:52 PM, genewardsmith <genewardsmith@...> wrote: > > These were optimized to have as much 11-limit dyadic, triadic and tetradic harmony as possible, so they should be about as good as it gets for the size of the scale. Expressed in secors. > > 9 notes > [-6 -5 -4 0 1 2 3 8 9] > > 10 notes > [-2 -1 0 4 5 6 7 11 12 13] > > 11 notes > [0 2 4 6 8 10 11 13 15 17 19] > > 12 notes > [-3 -2 -1 0 3 4 5 6 7 11 12 13] Hi Gene, I'm technologically stupid here, how do I load this up into Scala? Is there some way to type in the generator size and the scale factors and use it to make a scale? Scala's the only software I really use. Also I know you have an enormous amount of music written... have you done anything in miracle? -Mike
From: genewardsmith (2010-09-10) Subject: Re: More miracle scale blasts from the past --- In tuning@yahoogroups.com, Mike Battaglia <battaglia01@...> wrote: > > On Thu, Sep 9, 2010 at 8:52 PM, genewardsmith > <genewardsmith@...> wrote: > > > > These were optimized to have as much 11-limit dyadic, triadic and tetradic harmony as possible, so they should be about as good as it gets for the size of the scale. Expressed in secors. > > > > 9 notes > > [-6 -5 -4 0 1 2 3 8 9] ! mir9.scl Mir9 9 ! 116.7156 233.4312 350.1468 499.7064 616.4220 733.1376 933.7248 1050.4403 1200.0000 > > 10 notes > > [-2 -1 0 4 5 6 7 11 12 13] ! mir10.scl Mir10 10 ! 83.8715 200.5871 317.3027 466.8624 583.578 700.2936 817.0092 966.5688 1083.2844 1200.0000 > > 11 notes > > [0 2 4 6 8 10 11 13 15 17 19] ! mir11.scl Mir11 11 ! 83.8715 233.4312 317.3027 466.8624 550.7339 700.2936 784.1651 933.7248 1017.5963 1167.1559 1200.0000 > > 12 notes > > [-3 -2 -1 0 3 4 5 6 7 11 12 13] ! mir12.scl Mir12 12 ! 83.8715 200.5871 317.3027 350.1468 466.8624 583.5780 700.2936 817.0092 849.8532 966.5688 1083.2844 1200.0000 > Also I know you have an enormous amount of music written... have you > done anything in miracle? Several pieces. Here's one: http://www.archive.org/details/RachmaninoffPlaysBlackjack
From: Mike Battaglia (2010-09-10) Subject: Re: [tuning] Re: More miracle scale blasts from the past On Fri, Sep 10, 2010 at 12:16 AM, genewardsmith <genewardsmith@...> wrote: > > > > 10 notes > > > [-2 -1 0 4 5 6 7 11 12 13] > > ! mir10.scl > Mir10 > 10 > ! > 83.8715 > 200.5871 > 317.3027 > 466.8624 > 583.578 > 700.2936 > 817.0092 > 966.5688 > 1083.2844 > 1200.0000 ^ I found this one really interesting. If you start on second mode of the scale, it turns into a miracle re-tempering of Paul's pajara standard pentachordal major scale, with some maj/minor triads replaced with neutral ones. Perhaps Paul's scale has something of an ideal miracle re-tempering. > > > 11 notes > > > [0 2 4 6 8 10 11 13 15 17 19] > > ! mir11.scl > Mir11 > 11 > ! > 83.8715 > 233.4312 > 317.3027 > 466.8624 > 550.7339 > 700.2936 > 784.1651 > 933.7248 > 1017.5963 > 1167.1559 > 1200.0000 This one is really magical, my favorite of the lot. I just wish I could wrap my head around what miracle -is-, rather than just a neat way to get arbitrarily close to JI. Are there any really intuitive miracle "puns" that can be taken advantage of? > > > 12 notes > > > [-3 -2 -1 0 3 4 5 6 7 11 12 13] This one was nice as well. > > Also I know you have an enormous amount of music written... have you > > done anything in miracle? > > Several pieces. Here's one: > > http://www.archive.org/details/RachmaninoffPlaysBlackjack Thanks for this, I really enjoyed it. I'm not hip enough to know the reference - what was the original piece that was mutated? BTW, I sent you an offlist about your "Ostinato" piece... hopefully you got it, I know there was some email trouble last time :) -Mike
From: genewardsmith (2010-09-10) Subject: Re: More miracle scale blasts from the past --- In tuning@yahoogroups.com, Mike Battaglia <battaglia01@...> wrote: > This one is really magical, my favorite of the lot. I just wish I > could wrap my head around what miracle -is-, rather than just a neat > way to get arbitrarily close to JI. Are there any really intuitive > miracle "puns" that can be taken advantage of? Miracle tempers out 225/224, 1029/1024, 243/242, 385/384, 441/440, 540/539 and 2401/2400, all of which have their puns. 1029/1024 tells us that three 8/7s make up a 3/2, and there is an 8/7-8/7-8/7-8/7-7/6 chord. 225/224 tells us that 15/14 and 16/15 are identified, and that there is a 5/4-5/4-9/7 augmented triad, whereas 441/440 tells us that 21/20 and 22/21 are identified. 385/384 tells us that 48/35, which like 15/14 nd 21/20 is a diagonal of the hexany, and related to voice leading questions, may be identified with 11/8. 243/242 tells us that 11/9 is identified as a half-fifth neutral third. > > > Also I know you have an enormous amount of music written... have you > > > done anything in miracle? > > > > Several pieces. Here's one: > > > > http://www.archive.org/details/RachmaninoffPlaysBlackjack > > Thanks for this, I really enjoyed it. I'm not hip enough to know the > reference - what was the original piece that was mutated? The second theme of the third movement of Rachmaninoff's second piano oncerto. > BTW, I sent you an offlist about your "Ostinato" piece... hopefully > you got it, I know there was some email trouble last time :) Just checked, and I got it.