Greece_Third
Third (Voice), Greece
Properties
| Notes | 6 |
|---|---|
| Period | 1200.0 ¢ |
| Just | No |
| Source | Database of Musical Scales |
| Reference | Panteli, Maria; Purwins, Hendrik (2013). A Quantitative Comparison of Chrysanthine Theory and Performance Practice of Scale Tuning, Steps, and Prominence of the Octoechos in Byzantine Chant. Journal of New Music Research, 42(3):205-221. |
| DOI | https://doi.org/10.1080/09298215.2013.827215 |
| Country | Greece |
| Reference | 8 scales |
| Tone (¢) | Step (¢) |
|---|---|
| 200 | 200 |
| 378 | 178 |
| 489 | 111 |
| 695 | 206 |
| 889 | 194 |
| 1200 | 311 |
Similar scales
| File | Notes | Rotation | Max diff (¢) |
|---|---|---|---|
| CD13_06_husayni_Iraq | 6 | 5 | 9.9 |
| Greece_Grave | 6 | 0 | 11.0 |
| CD17_12_Tunisia | 6 | 0 | 11.7 |
| CD08_08_bayati_Egypt | 6 | 5 | 12.4 |
| CD16_06_Morocco | 6 | 2 | 15.1 |
| CD17_10_Tunisia | 6 | 1 | 16.0 |
| Benin_Trombone_01 | 6 | 2 | 16.0 |
| CD14_04_Algeria | 6 | 1 | 16.5 |
| CD11_09_Iraq | 6 | 5 | 16.8 |
| CD12_16_Iraq | 6 | 5 | 16.8 |
Parent scales
| File | Notes | Max diff (¢) |
|---|---|---|
| xen18-darreg-djami-rast | 7 | 9.0 |
| mavchrome7 | 7 | 9.0 |
| nonepi | 7 | 9.0 |
| synchrome3 | 7 | 9.0 |
| synmav3 | 7 | 9.0 |
| xen09-chalmers-tritriadic-4-5-6 | 7 | 9.0 |
| xen09-wilson-marwa-03-08 | 7 | 9.0 |
| xen09-wilson-marwa-03-11 | 7 | 9.0 |
| xen10-wilson-purvi-05-02 | 7 | 9.0 |
| xen10-wilson-purvi-05-03 | 7 | 9.0 |
Child scales
| File | Notes | Max diff (¢) |
|---|---|---|
| xen15-gilson-just-pentatonic | 5 | 9.0 |
| CD15_15_Morocco | 5 | 9.7 |
| Cambodia_Pentatonic_02 | 5 | 10.0 |
| China_Sien_tsu | 5 | 11.0 |
| Vietnam_Bac | 5 | 12.0 |
| Solomon_Islands_Xylophone_05 | 5 | 14.0 |
| Cambodia_Pentatonic_01 | 5 | 15.0 |
| xen15-gilson-pythagorean-pentatonic | 5 | 16.9 |
| Uganda_Xylophone_a | 5 | 20.0 |
| CD10_12_Egypt | 5 | 21.5 |
Raw file
! Greece_Third.scl ! Third (Voice), Greece 6 ! 200.0 378.0 489.0 695.0 889.0 1200.0 ! ! Panteli, Maria; Purwins, Hendrik (2013). A Quantitative Comparison of ! Chrysanthine Theory and Performance Practice of Scale Tuning, Steps, ! and Prominence of the Octoechos in Byzantine Chant. Journal of New ! Music Research, 42(3):205-221. ! ! [info] ! source = DaMuSc ! measured_id = M0431 ! ref_id = 60 ! country = Greece ! doi = https://doi.org/10.1080/09298215.2013.827215