7-limit scales
486 scales
| File | Description | Notes | Period (ยข) | Limit | Source |
|---|---|---|---|---|---|
| 008_H2 | Hyperenharmonic tetrachord 64/63 * 81/80 * 35/27 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 029_H8 | Hyperenharmonic tetrachord 64/63 * 49/48 * 9/7 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 033_H8 | Hyperenharmonic tetrachord 81/80 * 2240/2187 * 9/7 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 041_H11 | Hyperenharmonic tetrachord 50/49 * 49/48 * 32/25 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 080_E8 | Enharmonic tetrachord 64/63 * 28/27 * 81/64, Wilson | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 082_E8 | Enharmonic tetrachord 36/35 * 2240/2187 * 81/64 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 106_E13 | Enharmonic tetrachord 28/27 * 36/35 * 5/4, Archytas | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 110_E13 | Enharmonic tetrachord 21/20 * 64/63 * 5/4, Pachymeres | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 124_E15 | Enharmonic tetrachord 25/24 * 36/35 * 56/45 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 152_C4 | Chromatic tetrachord 36/35 * 21/20 * 100/81 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 213_C14 | Chromatic tetrachord 28/27 * 15/14 * 6/5, Ptolemy | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 220_C14 | Chromatic tetrachord 21/20 * 200/189 * 6/5, Perrett | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 230_C14 | Chromatic tetrachord 6/5 * 35/32 * 64/63 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 231_C14 | Chromatic tetrachord 6/5 * 2240/2187 * 243/224 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 234_C15 | Chromatic tetrachord 28/27 * 27/25 * 25/21 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 235_C15 | Chromatic tetrachord 21/20 * 16/15 * 25/21, Perrett | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 248_C17 | Chromatic tetrachord 28/27 * 243/224 * 32/27, Archytas | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 253_C17 | Chromatic tetrachord 21/20 * 15/14 * 32/27, Perrett | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 255_C17 | Chromatic tetrachord 36/35 * 35/32 * 32/27, Wilson | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 256_C17 | Chromatic tetrachord 49/48 * 54/49 * 32/27, Wilson | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 307_C24 | Chromatic tetrachord 16/15 * 15/14 * 7/6, Al-Farabi | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 311_C24 | Chromatic tetrachord 10/9 * 36/35 * 7/6, Avicenna | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 312_C24 | Chromatic tetrachord 64/63 * 9/8 * 7/6, Barbour | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 314_C24 | Chromatic tetrachord 256/243 * 243/224 * 7/6, Hipkins | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 317_C24 | Chromatic tetrachord 50/49 * 7/6 * 28/25 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 320_C24 | Chromatic tetrachord 28/27 * 54/49 * 7/6 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 326_C24 | Chromatic tetrachord 27/25 * 7/6 * 200/189 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 328_C24 | Chromatic tetrachord 7/6 * 1024/945 * 135/128 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 392_D6 | Diatonic tetrachord 21/20 * 10/9 * 8/7, Ptolemy | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 393_D6 | Diatonic tetrachord 28/27 * 8/7 * 9/8, Archytas | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 394_D6 | Diatonic tetrachord 49/48 * 8/7 * 8/7, Al-Farabi | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 397_D6 | Diatonic tetrachord 16/15 * 35/32 * 8/7, Vogel | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 399_D6 | Diatonic tetrachord 25/24 * 8/7 * 28/25 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 400_D6 | Diatonic tetrachord 15/14 * 8/7 * 49/45 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 406_D6 | Diatonic tetrachord 256/243 * 567/512 * 8/7 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 461_D15 | Diatonic tetrachord 9/8 * 15/14 * 448/405 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 466_D15 | Diatonic tetrachord 9/8 * 200/189 * 28/25 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 471_D15 | Diatonic tetrachord 9/8 * 7168/6561 * 243/224 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 472_D15 | Diatonic tetrachord 35/32 * 1024/945 * 9/8 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 481_R5 | Reduplicated tetrachord 15/14 * 15/14 * 784/675, Avicenna | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 488_R12 | Reduplicated tetrachord 28/27 * 28/27 * 243/196 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 490_R14 | Reduplicated tetrachord 36/35 * 36/35 * 1225/972 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 524_M32 | Miscellaneous tetrachord 36/35 * 256/243 * 315/256 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 525_M33 | Miscellaneous tetrachord 64/63 * 16/15 * 315/256 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 526_M34 | Miscellaneous tetrachord 64/63 * 2187/2048 * 896/729 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 527_M35 | Miscellaneous tetrachord 36/35 * 135/128 * 896/729 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 528_M36 | Miscellaneous tetrachord 28/27 * 2187/1792 * 256/243 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 529_M37 | Miscellaneous tetrachord 16/15 * 2240/2187 * 2187/1792 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 530_M38 | Miscellaneous tetrachord 28/27 * 128/105 * 135/128 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 537_M45 | Miscellaneous tetrachord 15/14 * 36/35 * 98/81 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 538_M46 | Miscellaneous tetrachord 28/27 * 16/15 * 135/112 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 548_M56 | Miscellaneous tetrachord 7168/6561 * 36/35 * 1215/1024 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 550_M58 | Miscellaneous tetrachord 28/27 * 1024/945 * 1215/1024 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 561_M69 | Miscellaneous tetrachord 28/27 * 81/70 * 10/9 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 562_M70 | Miscellaneous tetrachord 81/70 * 2240/2187 * 9/8 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 563_M71 | Miscellaneous tetrachord 81/70 * 256/243 * 35/32 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 564_M72 | Miscellaneous tetrachord 135/128 * 7168/6561 * 81/70 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 567_M75 | Miscellaneous tetrachord 16/15 * 280/243 * 243/224 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 568_M76 | Miscellaneous tetrachord 36/35 * 9/8 * 280/243 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 569_M77 | Miscellaneous tetrachord 8/7 * 81/80 * 280/243 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 582_M90 | Miscellaneous tetrachord 4096/3645 * 35/32 * 243/224 | 3 | 498.0 | 7 | Divisions of the Tetrachord |
| 08_wauchope_symmetrical | Two 10:12:15:18 chords rooted a 7:5 apart. | 8 | 1200.0 | 7 | Mailing lists |
| 10highschool1 | First 10-note Highschool scale | 10 | 1200.0 | 7 | Mailing lists |
| 10highschool2 | Second 10-note Highschool scale | 10 | 1200.0 | 7 | Mailing lists |
| 12_class | 31 dyads covered by 4 tetrads (7-limit). | 12 | 1200.0 | 7 | Mailing lists |
| 12_max7 | 32 7-limit dyads in 12 notes, Paul Hahn. | 12 | 1200.0 | 7 | Mailing lists |
| 12_prism | 225:224 scale by Carl Lumma. | 12 | 1200.0 | 7 | Mailing lists |
| 12highschool1 | First 12-note Highschool scale | 12 | 1200.0 | 7 | Mailing lists |
| 12highschool2 | Second 12-note Highschool scale | 12 | 1200.0 | 7 | Mailing lists |
| 12highschool3 | Third 12-note Highschool scale | 12 | 1200.0 | 7 | Mailing lists |
| 15highschool1 | First 15-note Highschool scale | 15 | 1200.0 | 7 | Mailing lists |
| 15highschool2 | Second 15-note Highschool scale | 15 | 1200.0 | 7 | Mailing lists |
| 19highschool1 | First 19-note Highschool scale | 19 | 1200.0 | 7 | Mailing lists |
| 19highschool2 | Second 19-note Highschool scale | 19 | 1200.0 | 7 | Mailing lists |
| 22highschool | 22-note Highschool scale | 22 | 1200.0 | 7 | Mailing lists |
| 7_6-on-3_2-untempered | 14 | 1206.6 | 7 | Mailing lists | |
| Archytas3genera | All three Archytas's gerenra at once: diatonic+chromatic+enharmonic | 11 | 1200.0 | 7 | Mailing lists |
| BP13 | 13 | 1902.0 | 7 | Mailing lists | |
| LIMITofSEVEN | Limit of Seven | 6 | 1200.0 | 7 | Mailing lists |
| Spa_s_s_7_lim | Sparschuh's 7-limit ~JI cycle of a dozen tempered 5ths | 12 | 1200.0 | 7 | Mailing lists |
| Wier53 | Danny Wier's schismatically-altered 53-Pythagorgean scale (2002) | 53 | 1200.0 | 7 | Mailing lists |
| aaron_tuning_53040_53059 | akj 64/63 729/686 Fokker block | 12 | 1200.0 | 7 | Mailing lists |
| abacbadabc | 7-limit scale with mean variety four | 10 | 1200.0 | 7 | Mailing lists |
| akj | 64/63 6561/6272 Fokker block 5,5,4,4 | 12 | 1200.0 | 7 | Mailing lists |
| al-farabi_chrom2 | Al-Farabi's Chromatic permuted | 7 | 1200.0 | 7 | Mailing lists |
| bigblok | Bigblok | 28 | 1200.0 | 7 | Mailing lists |
| bluesji | 7-limit JI version of Graham Breed's Blues scale | 12 | 1200.0 | 7 | Mailing lists |
| boogie | Paul Hjelmstad's boogie woogie scale | 10 | 1200.0 | 7 | Mailing lists |
| brect33 | 3x3 breed rectangle scale, <9 15 22 26| epimorphic | 9 | 1200.0 | 7 | Mailing lists |
| brect35 | 3x5 breed rectangle scale, <15 25 36 43| epimorphic | 15 | 1200.0 | 7 | Mailing lists |
| brect37 | 3x7 breed rectangle scale, <21 35 50 60| epimorphic | 21 | 1200.0 | 7 | Mailing lists |
| brect73 | 7x3 breed rectangle scale, <21 33 49 59| epimorphic | 21 | 1200.0 | 7 | Mailing lists |
| bree3 | Third breed ball around 49/40-7/4 | 12 | 1200.0 | 7 | Mailing lists |
| breed14 | a 49/48 and 81/80 Fokker block in breed plane | 14 | 1200.0 | 7 | Mailing lists |
| breed14_tuning_58799_58809 | a 49/48 and 81/80 Fokker block in breed plane | 14 | 1200.0 | 7 | Mailing lists |
| breedpump | Comma pump in breed (2401/2400 planar) | 16 | 1200.0 | 7 | Mailing lists |
| breetet2 | doubled Breed tetrad | 13 | 1200.0 | 7 | Mailing lists |
| breetet3 | tripled Breed tetrad | 25 | 1200.0 | 7 | Mailing lists |
| breezb | Alternative block to breeza 40353607/40000000 & 40960000/40353607 | 27 | 1200.0 | 7 | Mailing lists |
| byzantine | Superset of several Byzantine scales by Rami Vitale, TL 29-Aug-2001 | 23 | 1200.0 | 7 | Mailing lists |
| catakleismic34semitransversal | 17 note 2.3.7 semitransversal of Catakleismic[34] | 17 | 1200.0 | 7 | Mailing lists |
| catakleismic34trans | Catakleismic[34] 2.5.7 transversal | 34 | 1200.0 | 7 | Mailing lists |
| ch9_1 | Four tetrads one <9 14 21 26| permutation epimorphic | 9 | 1200.0 | 7 | Mailing lists |
| ch9_2 | Four tetrads two <9 14 21 26| permutation epimorphic | 9 | 1200.0 | 7 | Mailing lists |
| ch9_3 | Four tetrads three | 9 | 1200.0 | 7 | Mailing lists |
| ch9_4 | Four tetrads four | 9 | 1200.0 | 7 | Mailing lists |
| ch9_5 | Four tetrads five | 9 | 1200.0 | 7 | Mailing lists |
| ch9_6 | Four tetrads six | 9 | 1200.0 | 7 | Mailing lists |
| cpak12 | optimal tetrad pack scale = cv1 | 12 | 1200.0 | 7 | Mailing lists |
| cpak15 | optimal tetrad pack scale | 15 | 1200.0 | 7 | Mailing lists |
| cpak19 | optimal tetrad pack scale | 19 | 1200.0 | 7 | Mailing lists |
| cpak19a | First 19-epimorphic ordered tetrad pack scale | 19 | 1200.0 | 7 | Mailing lists |
| cpak19b | Second 19-epimorphic ordered tetrad pack scale | 19 | 1200.0 | 7 | Mailing lists |
| cpak22 | optimal tetrad pack scale | 22 | 1200.0 | 7 | Mailing lists |
| cpak31 | optimal tetrad pack scale | 31 | 1200.0 | 7 | Mailing lists |
| cv1 | First 12/5 <12 19 28 34| epimorphic | 12 | 1200.0 | 7 | Mailing lists |
| cv11 | Eleventh 12/5 scale <12 19 28 34| epimorphic | 12 | 1200.0 | 7 | Mailing lists |
| cv13 | Thirteenth 12/5 scale <12 19 28 34| epimorphic | 12 | 1200.0 | 7 | Mailing lists |
| cv5 | Fifth 12/5 scale <12 19 28 34| epimorphic = inverse hen12 | 12 | 1200.0 | 7 | Mailing lists |
| cv7 | Seventh 12/5 scale <12 19 28 34| epimorphic | 12 | 1200.0 | 7 | Mailing lists |
| cv9 | Ninth 12/5 scale <12 19 28 34| epimorphic | 12 | 1200.0 | 7 | Mailing lists |
| cw19_7 | CalkinWilf(<19 30 44 53|) | 19 | 1200.0 | 7 | Mailing lists |
| cx1 | First 10/4 scale = erlich11 <10 16 23 28| epimorphic | 10 | 1200.0 | 7 | Mailing lists |
| cx2 | Second 10/4 scale <10 16 23 28| epimorphic | 10 | 1200.0 | 7 | Mailing lists |
| cx3 | Third 10/4 scale <10 16 23 28| epimorphic | 10 | 1200.0 | 7 | Mailing lists |
| cx4 | Fourth 10/4 scale <10 16 23 28| epimorphic | 10 | 1200.0 | 7 | Mailing lists |
| cx5 | Fifth 10/4 scale <10 17 24 29| epimorphic | 10 | 1200.0 | 7 | Mailing lists |
| cxi1 | First 11/5 <11 17 26 31| permutation epimorphic scale | 11 | 1200.0 | 7 | Mailing lists |
| cxi2 | Second 11/5 <11 17 26 31| permutation epimorphic scale | 11 | 1200.0 | 7 | Mailing lists |
| decab | (10/9) <=> (16/15) transform of decaa | 10 | 1200.0 | 7 | Mailing lists |
| decac | inversion of decaa | 10 | 1200.0 | 7 | Mailing lists |
| decad | inversion of decab | 10 | 1200.0 | 7 | Mailing lists |
| dentirrmean | Tom Dent's 7-limit irregular meantone | 12 | 1200.0 | 7 | Mailing lists |
| deporcy | A 15-note chord-based detempering of 7-limit porcupine | 15 | 1200.0 | 7 | Mailing lists |
| diab17ascl | [25, 125, 175, 2401, 12005] breed diamond | 17 | 1200.0 | 7 | Mailing lists |
| diaclose | Convex closure of 7-limit diamond in breed plane | 17 | 1200.0 | 7 | Mailing lists |
| diaconv2401 | Breed convex closure of 7-limit diamond | 17 | 1200.0 | 7 | Mailing lists |
| dualhex | Aaron Johnson's dual-hexany CPS January 2 2004 | 12 | 1200.0 | 7 | Mailing lists |
| dwarf12_7 | Dwarf(<12 19 28 34|) five major triads, four minor triads two otonal pentads | 12 | 1200.0 | 7 | Mailing lists |
| dwarf6_7 | Dwarf(<6 10 14 17|) | 6 | 1200.0 | 7 | Mailing lists |
| eikobag | twelve note C(6, 3) combination product bag from <1 3 3 5 7 9> | 12 | 1200.0 | 7 | Mailing lists |
| eikoseven | Seven-limit version of 385/384-tempered Eikosany | 20 | 1200.0 | 7 | Mailing lists |
| enn36 | TM reduced detempering of Ennealimmal[36] | 36 | 1200.0 | 7 | Mailing lists |
| enn45 | Detempered Ennealimmal[45], TM reduced | 45 | 1200.0 | 7 | Mailing lists |
| enn45ji | Detempered Ennealimma[45], Hahn reduced | 45 | 1200.0 | 7 | Mailing lists |
| ennon13 | Nonoctave Ennealimmal, [3, 5/3] just tuning | 13 | 1902.0 | 7 | Mailing lists |
| ennon15 | Nonoctave Ennealimmal, [3, 5/3] just tuning | 15 | 1902.0 | 7 | Mailing lists |
| ennon28 | Nonoctave Ennealimmal, [3, 5/3] just tuning | 28 | 1902.0 | 7 | Mailing lists |
| ennon43 | Nonoctave Ennealimmal, [3, 5/3] just tuning | 43 | 1902.0 | 7 | Mailing lists |
| even12a | first maximally even {15/14,16/15,21/20,25/24} scale | 12 | 1200.0 | 7 | Mailing lists |
| even12b | second maximally even {15/14,16/15,21/20,25/24} scale | 12 | 1200.0 | 7 | Mailing lists |
| fokker_12 | Fokker's 7-limit 12-tone just scale | 12 | 1200.0 | 7 | Mailing lists |
| gamelan_om | Other Music gamelan (7 limit black keys) | 12 | 1200.0 | 7 | Mailing lists |
| genggong | Genggong polos scale, harmonics 5 through 9 | 5 | 1200.0 | 7 | Mailing lists |
| glamma | Glamma = reca1c2, <12 19 27 34|-epimorphic | 12 | 1200.0 | 7 | Mailing lists |
| grady_14 | Kraig Grady, letter to Lou Harrison, published in 1/1 7 (1) 1991 p5. | 14 | 1200.0 | 7 | Mailing lists |
| ha22 | Modified Hahn reduced 22-note scale | 22 | 1200.0 | 7 | Mailing lists |
| hahn12 | Hahn-reduced 12 note scale | 12 | 1200.0 | 7 | Mailing lists |
| hahn15 | Hahn-reduced 15 note scale | 15 | 1200.0 | 7 | Mailing lists |
| hahn16 | Hahn-reduced 16 note scale | 16 | 1200.0 | 7 | Mailing lists |
| hahn19 | Hahn-reduced 19 note scale | 19 | 1200.0 | 7 | Mailing lists |
| hahn22 | Hahn-reduced 22 note scale | 22 | 1200.0 | 7 | Mailing lists |
| handblue | "Handy Blues" of Pitch Palette, 7-limit | 12 | 1200.0 | 7 | Mailing lists |
| harisev | Seven-limit scale of Michael Harrison | 34 | 1200.0 | 7 | Mailing lists |
| hen12 | Adjusted Hahn12 | 12 | 1200.0 | 7 | Mailing lists |
| hen22 | Adjusted Hahn22 | 22 | 1200.0 | 7 | Mailing lists |
| hexy | Maximized 9-limit harmony containing a hexany | 12 | 1200.0 | 7 | Mailing lists |
| hjelm | Paul Hjelmstad's "blues" scale tuning@yahoo May 27, 2005 | 6 | 1200.0 | 7 | Mailing lists |
| hjelmconv | convex closure in breed plane of hjelm.scl | 10 | 1200.0 | 7 | Mailing lists |
| iko7 | Seven-limit tuning of ikosany.scl | 31 | 1200.0 | 7 | Mailing lists |
| ji_12 | Basic JI with 7-limit tritone | 12 | 1200.0 | 7 | Mailing lists |
| just7_12 | 7-limit 12 tone scale | 12 | 1200.0 | 7 | Mailing lists |
| kirkwood | Scale based on Kirkwood gaps of the asteroid belt | 8 | 1200.0 | 7 | Mailing lists |
| lazy | JI tuning for Lazy Summer Afternoon | 12 | 1200.0 | 7 | Mailing lists |
| lester_tester | Excellent 7-limit scale, independently discovered by Erv Wilson. | 12 | 1200.0 | 7 | Mailing lists |
| lumma_wauchope-major | Two 8:10:12:15 chords rooted a 7:5 apart. | 8 | 1200.0 | 7 | Mailing lists |
| magic | magic chord test | 12 | 1200.0 | 7 | Mailing lists |
| mandelbaum7 | Mandelbaum's 7-limit 19-tone scale | 19 | 1200.0 | 7 | Mailing lists |
| mandelbaum7keemun | Keemun Fokkerization of mandelbaum7 | 19 | 1200.0 | 7 | Mailing lists |
| max1 | 31 intervals 26 triads 6 tetrads 2 pentads smallest step 49/48 | 12 | 1200.0 | 7 | Mailing lists |
| max2 | 31 intervals 26 triads 6 tetrads 2 pentads smallest step 49/48 | 12 | 1200.0 | 7 | Mailing lists |
| max3 | 31 intervals 26 triads 6 tetrads 2 pentads smallest step 50/49 | 12 | 1200.0 | 7 | Mailing lists |
| max4 | 31 intervals 26 triads 6 tetrads 2 pentads smallest step 50/49 | 12 | 1200.0 | 7 | Mailing lists |
| max5 | 31 intervals 26 triads 6 tetrads two pentads smallest step 50/49 | 12 | 1200.0 | 7 | Mailing lists |
| max6 | 31 intervals 26 triads 6 tetrads 2 pentads smallest step 50/49 | 12 | 1200.0 | 7 | Mailing lists |
| mean441 | 7-limit JI meantone, 441-et detempered | 12 | 1200.0 | 7 | Mailing lists |
| meande12 | chord-based detempering of 7-limit meantone | 12 | 1200.0 | 7 | Mailing lists |
| meandia | Detempered Meantone[21]; contains 7-limit diamond | 21 | 1200.0 | 7 | Mailing lists |
| meandin | inverted detempered 7-limit meantone | 12 | 1200.0 | 7 | Mailing lists |
| meanqr | 270-et Hahn reduced rational 6125/4096 Meantone[12] | 12 | 1200.0 | 7 | Mailing lists |
| meanred | 171-et Hahn reduced rational Meantone[12] | 12 | 1200.0 | 7 | Mailing lists |
| metdia | Consists of the tetrads of detempered Meantone[21] = meandia.scl | 19 | 1200.0 | 7 | Mailing lists |
| mothra11rat | Mothra[11] with exact 8/7 as generator | 11 | 1200.0 | 7 | Mailing lists |
| ninelim | Nine-limit otonal chord | 5 | 1200.0 | 7 | Mailing lists |
| notchedcube | Otonal tetrads sharing a note with the root tetrad, a notched chord cube | 28 | 1200.0 | 7 | Mailing lists |
| octone | octone around 49/40-7/4 interval | 8 | 1200.0 | 7 | Mailing lists |
| octone_tuning-math_12214_12214 | octone around 60/49-7/4 interval | 8 | 1200.0 | 7 | Mailing lists |
| parapyth12-7 | 2.3.7 transversal of parapyth12 | 12 | 1200.0 | 7 | Mailing lists |
| parizek_7lqmtd2 | 7-limit Quasi-meantone no. 2 (1/1 is D) | 12 | 1200.0 | 7 | Mailing lists |
| parizek_ji1 | Petr Parizek, 12-tone septimal tuning, 2002. | 12 | 1200.0 | 7 | Mailing lists |
| perz | Perz-Edwards 27 note 7-limit scale | 27 | 1200.0 | 7 | Mailing lists |
| poole100 | Henry Ward Poole's 100 note 7-limit scale, Helmholtz page 474 | 100 | 1200.0 | 7 | Mailing lists |
| pris | Optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale. | 12 | 1200.0 | 7 | Mailing lists |
| pygmie | Pygmie scale | 5 | 1200.0 | 7 | Mailing lists |
| qujus1 | scale 1 420 2,2,2,2 1.897095 0.538729 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| qujus10 | scale 10 840 2,2,1,1 4.109804 0.207795 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| qujus11 | scale 11 840 2,2,1,1 4.109804 0.207795 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| qujus12 | scale 12 840 2,2,1,1 4.109804 0.207795 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| qujus13 | scale 13 420 2,2,1,1 4.109804 0.194943 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| qujus14 | scale 14 840 2,2,1,1 4.109804 0.194943 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| qujus15 | scale 15 1568 2,2,1,1 2.801371 0.193741 impropriety 0.044238 | 12 | 1200.0 | 7 | Mailing lists |
| qujus16 | scale 16 1568 2,2,1,1 4.109804 0.193741 impropriety 0.044238 | 12 | 1200.0 | 7 | Mailing lists |
| qujus17 | scale 17 1568 2,2,1,1 4.109804 0.135448 impropriety 0.044238 | 12 | 1200.0 | 7 | Mailing lists |
| qujus18 | scale 18 1960 2,2,1,1 4.109804 0.135448 improriety 0.044238 | 12 | 1200.0 | 7 | Mailing lists |
| qujus2 | scale 2 840 2,2,2,2 2.330127 0.344658 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| qujus3 | scale 3 840 2,2,2,2 2.330127 0.344658 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| qujus4 | scale 4 840 2,2,2,2 2.330127 0.308814 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| qujus5 | scale 5 840 2,2,2,2 2.330127 0.308814 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| qujus6 | scale 6 420 2,2,2,2 2.330127 0.272970 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| qujus7 | scale 7 840 2,2,1,1 4.109804 0.266088 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| qujus8 | scale 8 840 2,2,1,1 4.109804 0.266088 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| qujus9 | scale 9 420 2,2,1,1 4.109804 0.27795 strictly proper | 12 | 1200.0 | 7 | Mailing lists |
| raghib | 7-limit version of Idris Raghib Bey scale | 24 | 1200.0 | 7 | Mailing lists |
| rat12 | 72-et Hahn reduced 12-fairly-equal well-temperament | 12 | 1200.0 | 7 | Mailing lists |
| rat19 | 171-et Hahn reduced 7-limit 19-almost-equal | 19 | 1200.0 | 7 | Mailing lists |
| ratwell | 7-limit rational well-temperament | 12 | 1200.0 | 7 | Mailing lists |
| raven-JI | a 7-limit JI scale due to John O'Sullivan | 7 | 1200.0 | 7 | Mailing lists |
| raven_tuning_104807_104811 | John O'Sullivan's raven scale | 12 | 1200.0 | 7 | Mailing lists |
| rectoo | Hahn-reduced circle of fifths via <12 19 27 34| kernel | 12 | 1200.0 | 7 | Mailing lists |
| sensidia | Detempered Sensi[27]; contains 7-limit diamond | 27 | 1200.0 | 7 | Mailing lists |
| sentdia | Consists of the tetrads of detempered Sensi[27] = sensidia.scl | 21 | 1200.0 | 7 | Mailing lists |
| sevenlim | Seven-limit otonal chord | 4 | 1200.0 | 7 | Mailing lists |
| smalldi11 | Small diesic 11-note block, <10/9, 126/125, 1728/1715> commas | 11 | 1200.0 | 7 | Mailing lists |
| smalldi19a | Small diesic 19-note block, <16/15, 126/125, 1728/1715> commas | 19 | 1200.0 | 7 | Mailing lists |
| smalldi19b | Small diesic 19-note block, <16/15, 126/125, 2401/2400> commas | 19 | 1200.0 | 7 | Mailing lists |
| smalldi19c | Small diesic 19-note scale containing glumma | 19 | 1200.0 | 7 | Mailing lists |
| steldek1 | Stellated two out of 1 3 5 7 9 dekany. | 30 | 1200.0 | 7 | Mailing lists |
| steldia | Stellated hexany plus diamond; superparticular ratios | 18 | 1200.0 | 7 | Mailing lists |
| synslenstar | Harmony optimal {49/48, 81/80, 126/125} Fokker block | 19 | 1200.0 | 7 | Mailing lists |
| synstargam | Maximal harmony {81/80, 126/125, 1029/1024} Fokker block | 31 | 1200.0 | 7 | Mailing lists |
| terrain | JI version of generated scale for 63/50 and 10/9 | 12 | 1200.0 | 7 | Mailing lists |
| tet3a | Eight notes, two major one minor tetrad | 8 | 1200.0 | 7 | Mailing lists |
| triskabree12 | Twelvth 16807/12800&117649/100000 scale = inverse triskabree13 | 13 | 1200.0 | 7 | Mailing lists |
| tritriad3d | From 1/1 7/6 5/3, a variant of the 3.5.7 triad | 7 | 1200.0 | 7 | Mailing lists |
| uruk | Jon Lyle Smith's "Uruk" scale | 17 | 1200.0 | 7 | Mailing lists |
| wilson_class | Class Scale, Erv Wilson, 9 july 1967 | 12 | 1200.0 | 7 | Mailing lists |
| woz31 | 2401/2400 norm reduced 31 | 31 | 1200.0 | 7 | Mailing lists |
| xenoga24 | Xeno-Gothic rational adaptive tuning, 3-7 ratios (keyboards 64:63 apart) | 24 | 1200.0 | 7 | Mailing lists |
| xen03-wilson-acute-05 | Acute, linear-mapped intonational system, 5 notes | 5 | 1200.0 | 7 | Xenharmonikon |
| xen03-wilson-acute-07 | Acute, linear-mapped intonational system, 7 notes | 7 | 1200.0 | 7 | Xenharmonikon |
| xen03-wilson-acute-12 | Acute, linear-mapped intonational system, 12 notes | 12 | 1200.0 | 7 | Xenharmonikon |
| xen03-wilson-acute-17 | Acute, linear-mapped intonational system, 17 notes | 17 | 1200.0 | 7 | Xenharmonikon |
| xen03-wilson-acute-22 | Acute, linear-mapped intonational system, 22 notes | 22 | 1200.0 | 7 | Xenharmonikon |
| xen03-wilson-negative-19 | Negative, linear-mapped intonational system, 19 notes | 19 | 1200.0 | 7 | Xenharmonikon |
| xen03-wilson-positive-29 | Positive, linear-mapped intonational system, 29 notes | 29 | 1200.0 | 7 | Xenharmonikon |
| xen05-harrison-cinna | Scale for 'Incidental Music for Corneille's "Cinna"' | 12 | 1200.0 | 7 | Xenharmonikon |
| xen06-polansky-study-1 | Octave I and II tuning for 'Piano Study #5 (For JPR)' | 12 | 1200.0 | 7 | Xenharmonikon |
| xen07-chalmers-19-31 | 19-31 | 19 | 1200.0 | 7 | Xenharmonikon |
| xen07-chalmers-chalmers | Chalmers | 19 | 1200.0 | 7 | Xenharmonikon |
| xen07-chalmers-fokker-l | Fokker-L | 19 | 1200.0 | 7 | Xenharmonikon |
| xen07-chalmers-mandelbaum-2 | Mandelbaum-2 | 19 | 1200.0 | 7 | Xenharmonikon |
| xen07-chalmers-partch | Partch | 19 | 1200.0 | 7 | Xenharmonikon |
| xen07-chalmers-perrett | Perrett | 19 | 1200.0 | 7 | Xenharmonikon |
| xen07-chalmers-smith-just | Smith-19 | 19 | 1200.0 | 7 | Xenharmonikon |
| xen07-harrison-thoughts-4 | Slendro with steps 8/7, 7/6, 9/8, 8/7, 7/6 | 5 | 1200.0 | 7 | Xenharmonikon |
| xen07-harrison-thoughts-5 | Slendro based on partials 12/14/16/18/21 | 5 | 1200.0 | 7 | Xenharmonikon |
| xen07-walker-fathomless | Scale for '...out of the fathomless Dark / into the limitless Light...' | 21 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-1-3-7 | Tritriadic scale built from 1:3:7 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-1-5-7 | Tritriadic scale built from 1:5:7 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-1-7-9 | Tritriadic scale built from 1:7:9 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-10-14-15 | Tritriadic scale built from 10:14:15 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-14-16-21 | Tritriadic scale built from 14:16:21 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-14-18-21 | Tritriadic scale built from 14:18:21 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-16-21-24 | Tritriadic scale built from 16:21:24 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-3-5-7 | Tritriadic scale built from 3:5:7 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-3-7-9 | Tritriadic scale built from 3:7:9 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-5-6-7 | Tritriadic scale built from 5:6:7 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-5-7-9 | Tritriadic scale built from 5:7:9 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-6-7-8 | Tritriadic scale built from 6:7:8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-6-7-9 | Tritriadic scale built from 6:7:9 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-chalmers-tritriadic-9-7-10 | Tritriadic scale built from 9:7:10 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-01 | Marwa permutation 1 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-02 | Marwa permutation 2 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-03 | Marwa permutation 3 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-04 | Marwa permutation 4 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-05 | Marwa permutation 5 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-06 | Marwa permutation 6 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-07 | Marwa permutation 7 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-08 | Marwa permutation 8 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-09 | Marwa permutation 9 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-10 | Marwa permutation 10 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-11 | Marwa permutation 11 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-12 | Marwa permutation 12 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-13 | Marwa permutation 13 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-14 | Marwa permutation 14 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-07-15 | Marwa permutation 15 from Figure 7, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-08-01 | Marwa permutation 1 from Figure 8, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-08-02 | Marwa permutation 2 from Figure 8, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-08-03 | Marwa permutation 3 from Figure 8, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-08-04 | Marwa permutation 4 from Figure 8, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-08-05 | Marwa permutation 5 from Figure 8, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-08-06 | Marwa permutation 6 from Figure 8, Archytas 28/27 8/7 9/8 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17a-01 | Marwa permutation 1 from Figure 17a, Archytas 28/27 36/35 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17a-02 | Marwa permutation 2 from Figure 17a, Archytas 28/27 36/35 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17a-03 | Marwa permutation 3 from Figure 17a, Archytas 28/27 36/35 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17a-04 | Marwa permutation 4 from Figure 17a, Archytas 28/27 36/35 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17a-05 | Marwa permutation 5 from Figure 17a, Archytas 28/27 36/35 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17a-06 | Marwa permutation 6 from Figure 17a, Archytas 28/27 36/35 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17a-07 | Marwa permutation 7 from Figure 17a, Archytas 28/27 36/35 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17a-08 | Marwa permutation 8 from Figure 17a, Archytas 28/27 36/35 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17a-09 | Marwa permutation 9 from Figure 17a, Archytas 28/27 36/35 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17a-10 | Marwa permutation 10 from Figure 17a, Archytas 28/27 36/35 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17b-01 | Marwa permutation 1 from Figure 17b, Archytas 36/35 28/27 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17b-02 | Marwa permutation 2 from Figure 17b, Archytas 36/35 28/27 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17b-03 | Marwa permutation 3 from Figure 17b, Archytas 36/35 28/27 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17b-04 | Marwa permutation 4 from Figure 17b, Archytas 36/35 28/27 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17b-05 | Marwa permutation 5 from Figure 17b, Archytas 36/35 28/27 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17b-06 | Marwa permutation 6 from Figure 17b, Archytas 36/35 28/27 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17b-07 | Marwa permutation 7 from Figure 17b, Archytas 36/35 28/27 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17b-08 | Marwa permutation 8 from Figure 17b, Archytas 36/35 28/27 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17b-09 | Marwa permutation 9 from Figure 17b, Archytas 36/35 28/27 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen09-wilson-marwa-17b-10 | Marwa permutation 10 from Figure 17b, Archytas 36/35 28/27 5/4 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-chalmers-tritriadic-7-9-25 | Tritriadic scale built from 7:9:25 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03a-01 | Purvi modulation 1 from Figure 3a, Al-Farabi (8/7 8/7 49/48), (49/48 8/7 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03a-02 | Purvi modulation 2 from Figure 3a, Al-Farabi (8/7 8/7 49/48), (49/48 8/7 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03a-03 | Purvi modulation 3 from Figure 3a, Al-Farabi (8/7 8/7 49/48), (49/48 8/7 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03a-04 | Purvi modulation 4 from Figure 3a, Al-Farabi (8/7 8/7 49/48), (49/48 8/7 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03a-05 | Purvi modulation 5 from Figure 3a, Al-Farabi (8/7 8/7 49/48), (49/48 8/7 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03a-06 | Purvi modulation 6 from Figure 3a, Al-Farabi (8/7 8/7 49/48), (49/48 8/7 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03a-07 | Purvi modulation 7 from Figure 3a, Al-Farabi (8/7 8/7 49/48), (49/48 8/7 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03b-01 | Purvi modulation 1 from Figure 3b, Al-Farabi (8/7 49/48 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03b-02 | Purvi modulation 2 from Figure 3b, Al-Farabi (8/7 49/48 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03b-03 | Purvi modulation 3 from Figure 3b, Al-Farabi (8/7 49/48 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03b-04 | Purvi modulation 4 from Figure 3b, Al-Farabi (8/7 49/48 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03b-05 | Purvi modulation 5 from Figure 3b, Al-Farabi (8/7 49/48 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03b-06 | Purvi modulation 6 from Figure 3b, Al-Farabi (8/7 49/48 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-03b-07 | Purvi modulation 7 from Figure 3b, Al-Farabi (8/7 49/48 8/7) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-04-01 | Purvi modulation 1 from Figure 4, Archytas (8/7 9/8 28/27) all 6 permutations | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-04-02 | Purvi modulation 2 from Figure 4, Archytas (8/7 9/8 28/27) all 6 permutations | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-04-03 | Purvi modulation 3 from Figure 4, Archytas (8/7 9/8 28/27) all 6 permutations | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-04-04 | Purvi modulation 4 from Figure 4, Archytas (8/7 9/8 28/27) all 6 permutations | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-04-05 | Purvi modulation 5 from Figure 4, Archytas (8/7 9/8 28/27) all 6 permutations | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-04-06 | Purvi modulation 6 from Figure 4, Archytas (8/7 9/8 28/27) all 6 permutations | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-04-07 | Purvi modulation 7 from Figure 4, Archytas (8/7 9/8 28/27) all 6 permutations | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11a-01 | Purvi modulation 1 from Figure 11a, Archytas (28/27 36/35 5/4), (5/4 28/27 36/35) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11a-02 | Purvi modulation 2 from Figure 11a, Archytas (28/27 36/35 5/4), (5/4 28/27 36/35) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11a-03 | Purvi modulation 3 from Figure 11a, Archytas (28/27 36/35 5/4), (5/4 28/27 36/35) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11a-04 | Purvi modulation 4 from Figure 11a, Archytas (28/27 36/35 5/4), (5/4 28/27 36/35) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11a-05 | Purvi modulation 5 from Figure 11a, Archytas (28/27 36/35 5/4), (5/4 28/27 36/35) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11a-06 | Purvi modulation 6 from Figure 11a, Archytas (28/27 36/35 5/4), (5/4 28/27 36/35) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11a-07 | Purvi modulation 7 from Figure 11a, Archytas (28/27 36/35 5/4), (5/4 28/27 36/35) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11b-01 | Purvi modulation 1 from Figure 11b, Archytas (5/4 36/35 28/27), (36/35 28/27 5/4) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11b-02 | Purvi modulation 2 from Figure 11b, Archytas (5/4 36/35 28/27), (36/35 28/27 5/4) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11b-03 | Purvi modulation 3 from Figure 11b, Archytas (5/4 36/35 28/27), (36/35 28/27 5/4) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11b-04 | Purvi modulation 4 from Figure 11b, Archytas (5/4 36/35 28/27), (36/35 28/27 5/4) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11b-05 | Purvi modulation 5 from Figure 11b, Archytas (5/4 36/35 28/27), (36/35 28/27 5/4) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11b-06 | Purvi modulation 6 from Figure 11b, Archytas (5/4 36/35 28/27), (36/35 28/27 5/4) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11b-07 | Purvi modulation 7 from Figure 11b, Archytas (5/4 36/35 28/27), (36/35 28/27 5/4) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11c-01 | Purvi modulation 1 from Figure 11c, Archytas (28/27 5/4 36/35), (36/35 5/4 28/27) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11c-02 | Purvi modulation 2 from Figure 11c, Archytas (28/27 5/4 36/35), (36/35 5/4 28/27) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11c-03 | Purvi modulation 3 from Figure 11c, Archytas (28/27 5/4 36/35), (36/35 5/4 28/27) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11c-04 | Purvi modulation 4 from Figure 11c, Archytas (28/27 5/4 36/35), (36/35 5/4 28/27) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11c-05 | Purvi modulation 5 from Figure 11c, Archytas (28/27 5/4 36/35), (36/35 5/4 28/27) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11c-06 | Purvi modulation 6 from Figure 11c, Archytas (28/27 5/4 36/35), (36/35 5/4 28/27) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wilson-purvi-11c-07 | Purvi modulation 7 from Figure 11c, Archytas (28/27 5/4 36/35), (36/35 5/4 28/27) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen10-wolf-sands | Scale from 'Trio: The Sands' | 12 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-04-01 | Sterea, a Lyra tuning: Tonic Diatonic | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-04-02a | Malaka, a Lyra tuning: Soft or Intense Chromatic and Tonic Diatonic | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-04-03 | Metabolika, another Lyra tuning: Soft Diatonic and Tonic Diatonic | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-04-04 | Iasti-Aiolikai, a Kithara tuning: Tonic Diatonic and Ditonic Diatonic | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-04-05 | Iastia or Lydia, Kithara tunings: Intense Diatonic and Tonic Diatonic | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-06-01 | Transposition by A | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-06-02 | Transposition by B | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-06-03 | Transposition by 4/3, Mixolydian Mode | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-06-04 | Transposition by 3/2, Dorian Mode | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-06-05 | Transposition by 2/B | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-06-06 | Transposition by 2/A | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-06-07 | Transposition by 9/8 & 3/2, Hypodorian Mode | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-06-08 | Transposition by 4/3B | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-06-09 | Transposition by 4/3A | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-06-10 | Transposition by A/B | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-06-11 | Transposition by B/A | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-01 | Transposition and Inversion by A, 6 tones, a Hexany | 6 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-02 | Transposition and Inversion by B, 6 tones, a Hexany | 6 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-03 | Transposition and Inversion by 4/3, 7 tones, Psi-Mixolydian | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-04 | Transposition and Inversion by 3/2, 7 tones, Psi-Dorian | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-05 | Transposition and Inversion by 2/B, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-06 | Transposition and Inversion by 2/A, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-07 | Transposition and Inversion by 9/8 & 3/2, 7 tones, Psi-Hypodorian 1 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-08 | Transposition and Inversion by 9/8 & 3/2, 7 tones, Psi-Hypodorian 2 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-09 | Transposition and Inversion by 1/1, 6 tones, a Hexany | 6 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-10 | Transposition and Inversion by 4/3B, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-11 | Transposition and Inversion by 4/3A, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-12 | Tetrachordal Hexany, 6 tones, A-Mode | 6 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-13 | Euler's Genus Musicum, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-14 | Transposition and Inversion by B/A, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-15 | Transposition and Inversion by A/B, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-10-01 | Thirteen Tone Octave Modular Diamond | 13 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-10-02 | Eight Tone Fourth Modular Diamond | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-10-03 | Prime-Prime and Inverted-Inverted Heptatonic Diamonds, 27 Tones | 27 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-10-04 | Prime-Inverted Heptatonic Diamond, 25 Tones | 25 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-10-05 | Inverted-Prime Heptatonic Diamond, 25 Tones | 25 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-10-06 | Stellated Tetrachordal Hexany, 14 Tones | 14 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-10-07 | Stellated Hexany, Entry #1 of Table 7., 14 tones, Permuted Tetrachord | 14 | 1200.0 | 7 | Xenharmonikon |
| xen12-chalmers-tritriadic-dm-7-9-5 | Tritriadic D->M scale built from 7:9:5 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen12-chalmers-tritriadic-dm-9-25-7 | Tritriadic D->M scale built from 9:25:7 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen12-chalmers-tritriadic-mt-7-9-5 | Tritriadic M->T scale built from 7:9:5 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen12-chalmers-tritriadic-mt-9-25-7 | Tritriadic M->T scale built from 9:25:7 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-06d-diamond | 1-3-5-7 diamond, Figure 6d | 13 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-06d-major-tetrad | 1-3-5-7 major tetrad, Figure 6d | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-06d-minor-tetrad | 1-3-5-7 minor tetrad, Figure 6d | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-08-4C1-tetrany-00 | 1-3-7-9 4C1 Tetrany, Figure 8 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-08-4C1-tetrany-02 | 1-3-7-15 4C1 Tetrany, Figure 8 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-08-4C1-tetrany-07 | 1-7-9-15 4C1 Tetrany, Figure 8 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-08-4C1-tetrany-11 | 3-7-9-15 4C1 Tetrany, Figure 8 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-08-4C3-tetrany-00 | 1-3-7-9 4C3 Tetrany, Figure 8 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-08-4C3-tetrany-02 | 1-3-7-15 4C3 Tetrany, Figure 8 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-08-4C3-tetrany-07 | 1-7-9-15 4C3 Tetrany, Figure 8 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-08-4C3-tetrany-11 | 3-7-9-15 4C3 Tetrany, Figure 8 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-09-4C2-hexany-00 | 1-3-7-9 4C2 Hexany, Figure 9 | 6 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-09-4C2-hexany-02 | 1-3-7-15 4C2 Hexany, Figure 9 | 6 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-09-4C2-hexany-07 | 1-7-9-15 4C2 Hexany, Figure 9 | 6 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-09-4C2-hexany-11 | 3-7-9-15 4C2 Hexany, Figure 9 | 6 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-38-4C1-tetrany-00 | 1-3-5-7 4C1 Tetrany, Figure 38 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-38-4C1-tetrany-06 | 1-5-7-9 4C1 Tetrany, Figure 38 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-38-4C1-tetrany-10 | 3-5-7-9 4C1 Tetrany, Figure 38 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-38-4C3-tetrany-00 | 1-3-5-7 4C3 Tetrany, Figure 38 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-38-4C3-tetrany-06 | 1-5-7-9 4C3 Tetrany, Figure 38 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-38-4C3-tetrany-10 | 3-5-7-9 4C3 Tetrany, Figure 38 | 4 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-39-4C2-hexany-00 | 1-3-5-7 4C2 Hexany, Figure 39 | 6 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-39-4C2-hexany-06 | 1-5-7-9 4C2 Hexany, Figure 39 | 6 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-39-4C2-hexany-10 | 3-5-7-9 4C2 Hexany, Figure 39 | 6 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-40-5C2-dekany-00 | 1-3-5-7-9 5C2 Dekany, Figure 40 | 10 | 1200.0 | 7 | Xenharmonikon |
| xen12-wilson-40-5C3-dekany-00 | 1-3-5-7-9 5C3 Dekany, Figure 40 | 10 | 1200.0 | 7 | Xenharmonikon |
| xen13-grady-19-1 | 19 tone scale 1 | 19 | 1200.0 | 7 | Xenharmonikon |
| xen13-grady-sophia | Sophia, 1.3.5.7.9 Double Dexany | 14 | 1200.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-diamond-35-27 | Triadic diamond for M=35/27, D=3/2 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-diamond-35-27-tetrachord | Upper tetrachord 36/35 * 2450/2187 * 81/70 of triadic diamond for M=35/27, D=3/2 | 3 | 498.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-diamond-56-45 | Triadic diamond for M=56/45, D=3/2 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-diamond-56-45-tetrachord | Upper tetrachord 15/14 * 6272/6075 * 135/112 of triadic diamond for M=56/45, D=3/2 | 3 | 498.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-diamond-7-6 | Triadic diamond for M=7/6, D=3/2 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-diamond-7-6-tetrachord | Upper tetrachord 28/27 * 54/49 * 7/6 of triadic diamond for M=7/6, D=3/2 | 3 | 498.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-diamond-8-7 | Triadic diamond for M=8/7, D=3/2 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-diamond-8-7-tetrachord | Upper tetrachord 64/63 * 147/128 * 8/7 of triadic diamond for M=8/7, D=3/2 | 3 | 498.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-reversed-diamond-21-16 | Triadic reversed diamond for M=21/16, D=3/2 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-reversed-diamond-21-16-tetrachord | Tetrachord 64/63 * 1323/1024 * 64/63 of triadic reversed diamond for M=21/16, D=3/2 | 3 | 498.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-reversed-diamond-35-27 | Triadic reversed diamond for M=35/27, D=3/2 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-reversed-diamond-35-27-tetrachord | Tetrachord 36/35 * 1225/972 * 36/35 of triadic reversed diamond for M=35/27, D=3/2 | 3 | 498.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-reversed-diamond-56-45 | Triadic reversed diamond for M=56/45, D=3/2 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-reversed-diamond-56-45-tetrachord | Tetrachord 15/14 * 784/675 * 15/14 of triadic reversed diamond for M=56/45, D=3/2 | 3 | 498.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-reversed-diamond-7-6 | Triadic reversed diamond for M=7/6, D=3/2 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-reversed-diamond-7-6-tetrachord | Tetrachord 8/7 * 49/48 * 8/7 of triadic reversed diamond for M=7/6, D=3/2 | 3 | 498.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-reversed-diamond-9-7 | Triadic reversed diamond for M=9/7, D=3/2 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-chalmers-triadic-reversed-diamond-9-7-tetrachord | Tetrachord 28/27 * 243/196 * 28/27 of triadic reversed diamond for M=9/7, D=3/2 | 3 | 498.0 | 7 | Xenharmonikon |
| xen15-gilson-archytas-chromatic | Archytas' Chromatic | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-gilson-archytas-diatonic | Archytas' Diatonic (or Ptolemy's Diatonic Tonaion) | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-gilson-archytas-enharmonic | Archytas' Enharmonic | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-gilson-generalized-just-2 | Scale based on product (25/24)**2 * (21/20)**3 * 16/15 * (8/7)**3 = 2 | 9 | 1200.0 | 7 | Xenharmonikon |
| xen15-gilson-generalized-just-3 | Scale based on product (21/20)**3 * (16/15)**2 * (15/14)**3 * (10/9)**2 = 2 | 10 | 1200.0 | 7 | Xenharmonikon |
| xen15-gilson-generalized-pythagorean-7-4-5 | Generalized Pythagorean Scale, 7/4 stacked 5=4+1 times | 5 | 1200.0 | 7 | Xenharmonikon |
| xen15-gilson-ptolemy-chromatic-malakon | Ptolemy's Chromatic Malakon | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-gilson-ptolemy-diatonic-malakon | Ptolemy's Diatonic Malakon | 7 | 1200.0 | 7 | Xenharmonikon |
| xen15-leedy-mixolydian | Just mixolydian | 7 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-commas | Tuning for COMMAS | 13 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-drones-01 | Scale 1 from Drones 1994 #2 | 12 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-drones-02 | Scale 2 from Drones 1994 #2 | 11 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-drones-03 | Scale 3 from Drones 1994 #2 | 12 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-drones-04 | Scale 4 from Drones 1994 #2 | 11 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-drones-05 | Scale 5 from Drones 1994 #2 | 11 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-drones-06 | Scale 6 from Drones 1994 #2 | 12 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-drones-07 | Scale 7 from Drones 1994 #2 | 11 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-drones-08 | Scale 8 from Drones 1994 #2 | 12 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-drones-09 | Scale 9 from Drones 1994 #2 | 11 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-drones-10 | Scale 10 from Drones 1994 #2 | 12 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-drones-11 | Scale 11 from Drones 1994 #2 | 11 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-drones-12 | Scale 12 from Drones 1994 #2 | 12 | 1200.0 | 7 | Xenharmonikon |
| xen16-burt-drones-all | All notes from Drones 1994 #2 | 15 | 1200.0 | 7 | Xenharmonikon |
| xen16-grady-centaur | Centaur | 12 | 1200.0 | 7 | Xenharmonikon |
| xen16-hero-lambdoma-08 | 8 by 8 Lambdoma matrix | 42 | 7200.0 | 7 | Xenharmonikon |
| xen17-bohlen-harmonic-1 | 13-tone non-tempered scale | 13 | 1902.0 | 7 | Xenharmonikon |
| xen18-ayers-table-16 | 2nd Iteration of Musical Proportion between 1/1 and 2/1 | 7 | 1200.0 | 7 | Xenharmonikon |
| xen18-ayers-table-64 | Archytas' Enharmonic Tetrachord | 3 | 498.0 | 7 | Xenharmonikon |
| xen18-ayers-table-65 | 7 Iterated Mediants between 1/1 and 2/1 | 8 | 1200.0 | 7 | Xenharmonikon |
| xen18-ayers-table-71 | 7 Weighted Mediants between 1/1 and 2/1 | 8 | 1200.0 | 7 | Xenharmonikon |
| xen18-keenan-just-blackjack | 7-limit just-ification of Blackjack | 21 | 1200.0 | 7 | Xenharmonikon |
| xen18-schulter-harrison | A JI scale of Lou Harrison | 5 | 1200.0 | 7 | Xenharmonikon |