8-note scales
174 scales
| File | Description | Notes | Period (¢) | Limit | Source |
|---|---|---|---|---|---|
| CD01_09_bayati_Egypt | Les tristesses sont passées - Darwîsh Muhammad al-Harîrî (bayati, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD01_11_bayati_Egypt | Moi, je n'écoute pas le blâmeur / Mon espoir est en ta vie / Ô croissant de lune - Darwîsh Muhammad al-Harîrî (bayati, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD01_18_rast_Egypt | Il apparut et dans sa main - Darwîsh Muhammad al-Harîrî (rast, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD01_20_rast_Egypt | L'argent fut incrusté d'hyacinthe / Toi qui te refuses à moi / Je me sacrifierais pour lui et le secourrais - Darwîsh Muhammad al-Harîrî (rast, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD02_01_Egypt | Le soleil de la perfection est apparu - Darwîsh Muhammad al-Harîrî (hicazkar, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD02_09_Egypt | L'astre pour qui je me sacrifierai est apparu - Darwîsh Muhammad al-Harîrî (sikah arabi, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD02_15_Egypt | Emplis ma coupe et Abreuve-moi / Ô petit croissant de lune - Darwîsh Muhammad al-Harîrî (shawrak, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD03_04_Egypt | Fais-moi boire la coupe / Ô Gazelle qui a maquillé ses yeux / Le chanteur du cabaret nous a séduits - Darwîsh Muhammad al-Harîrî (kurdan, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD03_07_rast_Egypt | L'origine de l'amour est un regard - Aziz 'Uthmân (rast, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD04_03_bayati_Egypt | Depuis le jour où j'ai connu l'amour - Dâwûd Khudr Husnî (bayati, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD04_19_saba_Egypt | Je n'aime que toi - Dâwûd Khudr Husnî (saba, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD05_05_bayati_Egypt | Suite - ‘Abduh al-Ḥāmūlī (bayati, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD06_04_Egypt | Lorsque je vois le visage de mon amour - Muhammad al-Bahr (nahawand, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD07_03_Egypt | Hymne des paysans - Les Bédouins du Fayyûm (unknown maqam, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD07_04_Egypt | Suite - Les Bédouins du Fayyûm (unknown maqam, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD07_12_Egypt | Suite - Taha Abû Mandûr (unknown maqam, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD07_13_Egypt | Danse bédouine - Taha Abû Mandûr (unknown maqam, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD08_02_Egypt | Suite - Mustafa Fahreddin Dede (rast, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD08_06_Egypt | Le deuxième salut - Mustafa Fahreddin Dede (isfahan, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD08_10_Egypt | Le bas monde a été illuminé - Mustafa Fahreddin Dede (hijaz, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD08_11_Egypt | Le quatrième salut - Mustafa Fahreddin Dede (udhdhal, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD08_12_Egypt | Pièce instrumentale finale, Bashraf - Mustafa Fahreddin Dede (udhdhal, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD09_05_Egypt | Accours te réfugier au sanctuaire - La Confrérie Laythiyya (unknown maqam, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD10_06_Egypt | Ehone - Mîkhâ'îl Jirjis al-Batânûnî (unknown maqam, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD10_18_Egypt | Tihi ni Nak / In iri Gâr / Beklaos Gâr / Ocoti je anon / Afnoti / Fi at Afgor - Mîkhâ'îl Jirjis al-Batânûnî (unknown maqam, Egypt) | 8 | 1200.0 | ORD-CC32 | |
| CD11_01_rast_Iraq | Toi qui est beau comme Joseph - Ensemble de Muhammad Al-Qubbbânjî (rast, Iraq) | 8 | 1200.0 | ORD-CC32 | |
| CD11_14_Iraq | Saisis-toi de la vie et profite des heures claires de l'existence - Ensemble de Muhammad Al-Qubbbânjî (lami, Iraq) | 8 | 1200.0 | ORD-CC32 | |
| CD11_21_Iraq | Suite - Ensemble de Muhammad Al-Qubbbânjî (mansuri, Iraq) | 8 | 1200.0 | ORD-CC32 | |
| CD12_01_Iraq | Pourquoi [te] vois-je soucieux ? - Ensemble de Muhammad Al-Qubbbânjî (mukhalif, Iraq) | 8 | 1200.0 | ORD-CC32 | |
| CD12_04_Iraq | Suite - Ensemble de Muhammad Al-Qubbbânjî (mukhalif, Iraq) | 8 | 1200.0 | ORD-CC32 | |
| CD12_06_Iraq | Suite - Ensemble de Muhammad Al-Qubbbânjî (mukhalif, Iraq) | 8 | 1200.0 | ORD-CC32 | |
| CD12_07_saba_Iraq | J'aperçois les traces de leur campement et me Morfonds de passion - Ensemble de Muhammad Al-Qubbbânjî (saba, Iraq) | 8 | 1200.0 | ORD-CC32 | |
| CD12_12_Iraq | Taqsîm, qânûn - Ensemble de Muhammad Al-Qubbbânjî (banjgah, Iraq) | 8 | 1200.0 | ORD-CC32 | |
| CD12_23_Iraq | Purifie ton coeur avec des coupes de vin - Ensemble de Muhammad Al-Qubbbânjî (humayun, Iraq) | 8 | 1200.0 | ORD-CC32 | |
| CD12_24_Iraq | Suite - Ensemble de Muhammad Al-Qubbbânjî (humayun, Iraq) | 8 | 1200.0 | ORD-CC32 | |
| CD13_10_Iraq | Taqsîm mesuré, santûr - Ensemble de Muhammad Al-Qubbbânjî (tahir, hadidi, Iraq) | 8 | 1200.0 | ORD-CC32 | |
| CD13_11_Iraq | Taqsîm mesuré, santûr - Ensemble de Muhammad Al-Qubbbânjî (sikah, hulaylawi, Iraq) | 8 | 1200.0 | ORD-CC32 | |
| CD13_15_Syria | Taqsîm, qânûn - Fawzî al-Qaltaqjî (hicazkar, saba, Syria) | 8 | 1200.0 | ORD-CC32 | |
| CD13_21_Turkey | Prélude, puis danse - Mesut Cemil Bey (unknown maqam, Turkey) | 8 | 1200.0 | ORD-CC32 | |
| CD14_01_Algeria | Nûba Raml al-'ashiyya / Tûshiya - L'ensemble d'Al-'Arabî Ben Sârî (raml al-ashiyya, Algeria) | 8 | 1200.0 | ORD-CC32 | |
| CD14_06_Algeria | Suite - L'ensemble d'Al-'Arabî Ben Sârî (raml al-ashiyya, Algeria) | 8 | 1200.0 | ORD-CC32 | |
| CD14_11_Algeria | Ô gens de l'Andalousie - L'ensemble d'Al-'Arabî Ben Sârî (raml al-maya, Algeria) | 8 | 1200.0 | ORD-CC32 | |
| CD14_15_Algeria | À qui sera le tour pour cette visite ? - L'ensemble d'Al-'Arabî Ben Sârî (maya, Algeria) | 8 | 1200.0 | ORD-CC32 | |
| CD14_17_Algeria | Toute terre revit par votre présence - L'ensemble d'Al-'Arabî Ben Sârî (zidan, Algeria) | 8 | 1200.0 | ORD-CC32 | |
| CD15_02_Algeria | Ô amoureux - L'ensemble d'Al-'Arabî Ben Sârî (rasd al-dhil, Algeria) | 8 | 1200.0 | ORD-CC32 | |
| CD15_07_Algeria | Ils ont monté contre moi les esprits - L'ensemble d'Al-'Arabî Ben Sârî (iraq, Algeria) | 8 | 1200.0 | ORD-CC32 | |
| CD15_08_Algeria | Tu m'as meurtri sans raison - L'ensemble d'Al-'Arabî Ben Sârî (raml al-maya, Algeria) | 8 | 1200.0 | ORD-CC32 | |
| CD15_13_Morocco | Ne trouble pas mon bonheur avec elle / Ô soleil du crepuscule - L'ensemble de 'Umar Fâ'id Al-Ju'aydî (unknown maqam, Morocco) | 8 | 1200.0 | ORD-CC32 | |
| CD15_14_Morocco | Et je suis devenu amoureux - L'ensemble de 'Umar Fâ'id Al-Ju'aydî (unknown maqam, Morocco) | 8 | 1200.0 | ORD-CC32 | |
| CD15_19_Morocco | Ils t'ont dérobée aux regards passionnés / Ô compagnon qui m'a mis hors de moi - L'ensemble de 'Umar Fâ'id Al-Ju'aydî (sikah, Morocco) | 8 | 1200.0 | ORD-CC32 | |
| CD15_20_Morocco | J'ai passé ma vie à t'aimer - L'ensemble de 'Umar Fâ'id Al-Ju'aydî (istihlal, Morocco) | 8 | 1200.0 | ORD-CC32 | |
| CD16_16_Morocco | La pléïade s'est détournée / Comment se reposerait-il ? - L'ensemble de 'Umar Fâ'id Al-Ju'aydî (ushshaq, Morocco) | 8 | 1200.0 | ORD-CC32 | |
| CD17_04_Tunisia | Ô parfait comme la pleine lune - L'ensemble de Muhammad Ghânim (rasd al-dhil, Tunisia) | 8 | 1200.0 | ORD-CC32 | |
| CD17_17_Tunisia | Combien nous avons été appelés - L'ensemble de Muhammad Ghânim (isbaayn, Tunisia) | 8 | 1200.0 | ORD-CC32 | |
| CD17_18_Tunisia | L'objet de mes désirs m'a visité / Quels sont ces gens qui m'ont dérouté ? - L'ensemble de Muhammad Ghânim (shahnaz, Tunisia) | 8 | 1200.0 | ORD-CC32 | |
| CD18_06_rasd_al_dhil_Tunisia | Istikhbâr, rbâb / Istikhbâr, 'ûd 'Arabî - L'ensemble de Muhammad Ghânim (rasd al-dhil, Tunisia) | 8 | 1200.0 | ORD-CC32 | |
| CD18_20_Tunisia | Istikhbâr, rasd al-Dhîl / Danse Fizzânî - L'ensemble de Muhammad Ghânim (rasd al-dhil, Tunisia) | 8 | 1200.0 | ORD-CC32 | |
| China_Flute_89 | 89 (Flute), China | 8 | 1680.0 | DaMuSc | |
| China_Flute_91 | 91 (Flute), China | 8 | 1320.0 | DaMuSc | |
| Congo_Sanza_a | Sanza (Sanza), Congo | 8 | 1494.0 | DaMuSc | |
| DR_Congo_Flute | Flute (Flute), DR Congo | 8 | 2321.0 | DaMuSc | |
| Georgia_GVM199-M | GVM199-M (Voice), Georgia | 8 | 1260.0 | DaMuSc | |
| Georgia_GVM200-H | GVM200-H (Voice), Georgia | 8 | 1081.0 | DaMuSc | |
| Georgia_GVM201-M | GVM201-M (Voice), Georgia | 8 | 1401.0 | DaMuSc | |
| Georgia_GVM203-H | GVM203-H (Voice), Georgia | 8 | 1173.0 | DaMuSc | |
| Georgia_GVM203-M | GVM203-M (Voice), Georgia | 8 | 1362.0 | DaMuSc | |
| Georgia_GVM204-M | GVM204-M (Voice), Georgia | 8 | 1412.0 | DaMuSc | |
| Iraq_Bagpipe_01 | Bagpipe 1 (Bagpipe), Iraq | 8 | 1390.0 | DaMuSc | |
| Malawi_Asena_07 | Asena 7 (Bangwe), Malawi | 8 | 1382.0 | DaMuSc | |
| Malawi_Asena_08 | Asena 8 (Bangwe), Malawi | 8 | 1402.0 | DaMuSc | |
| Peru_Panpipes_28 | 28 (Panpipes), Peru | 8 | 1957.0 | DaMuSc | |
| Solomon_Islands_Panpipes_36 | 36 (Panpipes), Solomon Islands | 8 | 1586.0 | DaMuSc | |
| Uganda_Ludaya_01 | Ludaya 1 (Ludaya), Uganda | 8 | 1581.0 | DaMuSc | |
| Uganda_Royal_Horns | Royal Horns (Horns), Uganda | 8 | 1456.0 | DaMuSc | |
| edo-08 | 8 equal divisions of the octave | 8 | 1200.0 | EDO | |
| 08_kleismic | Proper subset of Kleismic (in 19-tET). | 8 | 1200.0 | Mailing lists | |
| 08_o8 | Mode 8 of the harmonic series. | 8 | 1200.0 | 13 | Mailing lists |
| 08_pajara8-symmetric | TOP pajara (symmetric form). | 8 | 1196.9 | Mailing lists | |
| 08_wauchope_symmetrical | Two 10:12:15:18 chords rooted a 7:5 apart. | 8 | 1200.0 | 7 | Mailing lists |
| Newton_ext_mixolydian | kernel of the 8 pitch-classes core from N's 14 tones out of 53 | 8 | 1200.0 | 5 | Mailing lists |
| arab_segah-99edo | 99-edo Arab Segah with extra slightly raised leading tone to final | 8 | 1200.0 | Mailing lists | |
| archytas8 | A distributionally even scale in archytas (64/63 planar) temperament, abacbabc | 8 | 1197.0 | Mailing lists | |
| buzurg1 | Variant of Buzurg (Qutb al Din al-Shirazi, Persian theorist, c. 1300) | 8 | 1200.0 | 13 | Mailing lists |
| keentet | The five keenanismic triads, plus o- and u-tonal, in 284edo | 8 | 1200.0 | Mailing lists | |
| kirkwood | Scale based on Kirkwood gaps of the asteroid belt | 8 | 1200.0 | 7 | Mailing lists |
| lemba | Lemba temperament (4 down, 3 up) | 8 | 601.7 | Mailing lists | |
| lumma_wauchope-major | Two 8:10:12:15 chords rooted a 7:5 apart. | 8 | 1200.0 | 7 | Mailing lists |
| met24-quasi_8-EDO_Cup | Emulation of 8-EDO | 8 | 1200.0 | Mailing lists | |
| mir8 | tet3a in 72-et | 8 | 1200.0 | Mailing lists | |
| octo | octone in 612 equal | 8 | 1200.0 | Mailing lists | |
| octone | octone around 49/40-7/4 interval | 8 | 1200.0 | 7 | Mailing lists |
| octone_tuning-math_12214_12214 | octone around 60/49-7/4 interval | 8 | 1200.0 | 7 | Mailing lists |
| pepbuzrg | Peppermint 24 version of Buzurg variant (cf. buzurg1.scl) | 8 | 1200.0 | Mailing lists | |
| prop19_8a | Sensi[8] = Mandelbaum 8/19 = Oljare Octatonic | 8 | 1200.0 | Mailing lists | |
| prop19_8b | Second proper 8 note scale in 19-et, two sizes of interval | 8 | 1200.0 | Mailing lists | |
| prop19_8c | Third proper 8-note 19-et scale, single larger interval | 8 | 1200.0 | Mailing lists | |
| pseudo_Odo_octatonics | pyth. 3-limit 5ths chain of 8 pitch-classes: Bb-F-C-G-D-A-E-B | 8 | 1200.0 | 3 | Mailing lists |
| quasi_8-EDO | Emulation of 8-EDO | 8 | 1200.0 | 13 | Mailing lists |
| rbuzurg-buzurg8_Cup | Buzurg pentachord plus 133-229-133 tetrachord at ~3/2 | 8 | 1200.0 | Mailing lists | |
| rbuzurg-buzurg_hijaz_Cup | Qutb al-Din al-Shirazi's Buzurg plus upper Hijaz (JI 12:11-7:6-22:21) | 8 | 1200.0 | Mailing lists | |
| semimaj1 | First 16/15&648/625 scale = smithgw_star transposed cluster8f | 8 | 1200.0 | 5 | Mailing lists |
| semimaj2 | Second 16/15&648/625 scale = transposed smithgw_star2 cluster8c | 8 | 1200.0 | 5 | Mailing lists |
| semipor1 | First 16/15&250/243 = 648/625&250/243 scale | 8 | 1200.0 | 5 | Mailing lists |
| semipor2 | Second 16/15&250/243 = 648/625&250/243 scale | 8 | 1200.0 | 5 | Mailing lists |
| semipor3 | Third 16/15&250/243 = 648/625&250/243 scale = inverse semipor4 | 8 | 1200.0 | 5 | Mailing lists |
| semipor4 | Fourth 16/15&250/243 = 648/625&250/243 scale = inverse semipor3 | 8 | 1200.0 | 5 | Mailing lists |
| semipor5 | Fifth 16/15&250/243 = 648/625&250/243 scale = inverse semipor6 | 8 | 1200.0 | 5 | Mailing lists |
| semipor6 | Sixth 16/15&250/243 = 648/625&250/243 scale = inverse semipor5 | 8 | 1200.0 | 5 | Mailing lists |
| semipor7 | Seventh 16/15&250/243 = 648/625&250/243 scale = inverse semipor8 | 8 | 1200.0 | 5 | Mailing lists |
| semipor8 | Eigth 16/15&250/243 scale = 648/625&250/243 inverse semipor7 | 8 | 1200.0 | 5 | Mailing lists |
| semisixths-8 | 8-note MOS of Semisixths [7, 9, 13, -2, 1, 5] temperament, TOP tuning | 8 | 1198.4 | Mailing lists | |
| sengic8 | A distributionally even scale in sengic temperament | 8 | 1200.4 | Mailing lists | |
| squares8 | Squares[8] in 31et | 8 | 1200.0 | Mailing lists | |
| testing | Two #15 chords in 72-ET. | 8 | 2500.0 | Mailing lists | |
| tet3a | Eight notes, two major one minor tetrad | 8 | 1200.0 | 7 | Mailing lists |
| ushaq99 | yarman_ushaq in 99ef tempering | 8 | 1200.0 | Mailing lists | |
| zeus8 | A distributionally even scale in zeus temperament | 8 | 1200.2 | Mailing lists | |
| xen06-vyshnegradski-nonoctave-1 | Non-octave scale based on the subminor ninth | 8 | 1250.0 | Xenharmonikon | |
| xen07-rosenthal-four-duets-2 | Scale for part II of 'Four duets for bowed psaltery and harp' | 8 | 1200.0 | 5 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-05 | Transposition and Inversion by 2/B, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-06 | Transposition and Inversion by 2/A, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-10 | Transposition and Inversion by 4/3B, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-11 | Transposition and Inversion by 4/3A, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-13 | Euler's Genus Musicum, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-14 | Transposition and Inversion by B/A, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-08-15 | Transposition and Inversion by A/B, 8 tones, an Octony | 8 | 1200.0 | 7 | Xenharmonikon |
| xen11-chalmers-tetrachordal-10-02 | Eight Tone Fourth Modular Diamond | 8 | 1200.0 | 7 | Xenharmonikon |
| xen13-chalmers-13tet-5L3S | 5L+3S Eight-Tone Moment of Symmetry (MOS) | 8 | 1200.0 | Xenharmonikon | |
| xen13-mclaren-recurrence-1 | Fibonacci scale (recurrence scale #1) | 8 | 1200.0 | 89 | Xenharmonikon |
| xen15-mclaren-root-5 | Square root of 5 scale | 8 | 1393.2 | Xenharmonikon | |
| xen18-ayers-table-04 | 7 Iterated Arithmetic Means between 1/1 and 2/1 | 8 | 1200.0 | 13 | Xenharmonikon |
| xen18-ayers-table-11 | 7 Iterated Harmonic Means between 1/1 and 2/1 | 8 | 1200.0 | 13 | Xenharmonikon |
| xen18-ayers-table-18 | 7 Iterated Subcontraries to the Harmonic Mean | 8 | 1200.0 | 3373 | Xenharmonikon |
| xen18-ayers-table-20 | 7 Iterated Geometric Means Between 1/1 and 2/1 (8-tone Equal Temperament) | 8 | 1200.0 | Xenharmonikon | |
| xen18-ayers-table-26 | 7 Iterated First Subcontraries to Geometric Means between 1/1 and 2/1 | 8 | 1200.0 | Xenharmonikon | |
| xen18-ayers-table-28 | 7 Iterated Second Subcontraries to Geometric Means between 1/1 and 2/1 | 8 | 1200.0 | Xenharmonikon | |
| xen18-ayers-table-30 | 7 Iterated Logarithmic Means between 1/1 and 2/1 | 8 | 1200.0 | Xenharmonikon | |
| xen18-ayers-table-32 | 7 Iterated Counter-Logarithmic Means between 1/1 and 2/1 | 8 | 1200.0 | Xenharmonikon | |
| xen18-ayers-table-34 | 7 Iterated Root Mean Squares between 1/1 and 2/1 | 8 | 1200.0 | Xenharmonikon | |
| xen18-ayers-table-35 | 7 Generalized Root Mean Squares between 1 and 2.5 | 8 | 1586.3 | Xenharmonikon | |
| xen18-ayers-table-37 | 7 Iterated Harmonic Square Means between 1/1 and 2/1 | 8 | 1200.0 | 14321 | Xenharmonikon |
| xen18-ayers-table-39 | 7 Iterated Root Harmonic Square Means between 1/1 and 2/1 | 8 | 1200.0 | Xenharmonikon | |
| xen18-ayers-table-40 | 7 Generalized Root Harmonic Square Means between 1.0 and 1.6 | 8 | 813.7 | Xenharmonikon | |
| xen18-ayers-table-43 | 7 Fibonacci-Type Means between 1/1 and 2/1 | 8 | 1200.0 | 17 | Xenharmonikon |
| xen18-ayers-table-48 | 7 Iterated Reciprocals of Golden Means between 1/1 and 2/1 | 8 | 1200.0 | Xenharmonikon | |
| xen18-ayers-table-49 | 7 Iterated First Unnamed Means between 1/1 and 2/1 | 8 | 1200.0 | 17 | Xenharmonikon |
| xen18-ayers-table-54 | 7 Iterated First Unnamed Means between 1/1 and 2/1, Weighted by Ratio 3/2 | 8 | 1200.0 | 53 | Xenharmonikon |
| xen18-ayers-table-56 | 7 Iterated Second Unnamed Means between 1/1 and 2/1 | 8 | 1200.0 | 157 | Xenharmonikon |
| xen18-ayers-table-59 | 7 Iterated Second Unnamed Means between 1/1 and 2/1, Weighted by Ratio 3/2 | 8 | 1200.0 | 23 | Xenharmonikon |
| xen18-ayers-table-61 | 7 Iterated Third Unnamed Means between 1/1 and 2/1 | 8 | 1200.0 | Xenharmonikon | |
| xen18-ayers-table-62 | 7 Iterated Fourth Unnamed Means between 1/1 and 2/1 | 8 | 1200.0 | 17 | Xenharmonikon |
| xen18-ayers-table-65 | 7 Iterated Mediants between 1/1 and 2/1 | 8 | 1200.0 | 7 | Xenharmonikon |
| xen18-ayers-table-71 | 7 Weighted Mediants between 1/1 and 2/1 | 8 | 1200.0 | 7 | Xenharmonikon |
| xen18-darreg-djami-iraq-2 | Maqam Iraq, with bakiye | 8 | 1200.0 | Xenharmonikon | |
| xen18-darreg-djami-isfahan-1 | Maqam Isfahan, bakiye between seventh and eighth degrees | 8 | 1200.0 | Xenharmonikon | |
| xen18-darreg-djami-isfahan-2 | Maqam Isfahan, bakiye between sixth and seventh degrees | 8 | 1200.0 | Xenharmonikon | |
| xen18-erlich-dimipent-08 | 4L 4s MOS for Dimipent, L=197.49, s=101.67 | 8 | 1196.6 | Xenharmonikon | |
| xen18-erlich-dimisept-08 | 4L 4s MOS for Dimisept, L=197.08, s=101.45 | 8 | 1194.1 | Xenharmonikon | |
| xen18-erlich-father-08 | 5L 3s MOS for Father, L=156.3, s=134.8 | 8 | 1185.9 | Xenharmonikon | |
| xen18-erlich-hedgehog-08 | 6L 2s MOS for Hedgehog, L=162.32, s=111.49 | 8 | 1196.9 | Xenharmonikon | |
| xen18-erlich-injera-08 | 2L 6s MOS for Injera, L=320.06, s=93.61 | 8 | 1201.8 | Xenharmonikon | |
| xen18-erlich-miracle-08 | 1L 7s MOS for Miracle, L=383.59, s=116.72 | 8 | 1200.6 | Xenharmonikon | |
| xen18-erlich-nautilus-08 | 1L 7s MOS for Nautilus, L=621.87, s=82.97 | 8 | 1202.7 | Xenharmonikon | |
| xen18-erlich-negripent-08 | 1L 7s MOS for Negripent, L=318.84, s=126.14 | 8 | 1201.8 | Xenharmonikon | |
| xen18-erlich-negrisept-08 | 1L 7s MOS for Negrisept, L=329.31, s=124.84 | 8 | 1203.2 | Xenharmonikon | |
| xen18-erlich-pajara-08 | 2L 6s MOS for Pajara, L=278.74, s=106.57 | 8 | 1196.9 | Xenharmonikon | |
| xen18-erlich-passion-08 | 1L 7s MOS for Passion, L=509.51, s=98.40 | 8 | 1198.3 | Xenharmonikon | |
| xen18-erlich-porcupine-08 | 7L 1s MOS for Porcupine, L=162.32, s=60.67 | 8 | 1196.9 | Xenharmonikon | |
| xen18-erlich-ripple-08 | 1L 7s MOS for Ripple, L=489.39, s=101.99 | 8 | 1203.3 | Xenharmonikon | |
| xen18-erlich-sensipent-08 | 3L 5s MOS for Sensipent, L=184.23, s=129.38 | 8 | 1199.6 | Xenharmonikon | |
| xen18-erlich-sensisept-08 | 3L 5s MOS for Sensisept, L=180.98, s=131.09 | 8 | 1198.4 | Xenharmonikon | |
| xen18-erlich-srutal-08 | 2L 6s MOS for Srutal, L=285.46, s=104.70 | 8 | 1199.1 | Xenharmonikon | |
| xen18-erlich-vishnu-08 | 2L 6s MOS for Vishnu, L=386.52, s=71.15 | 8 | 1199.9 | Xenharmonikon | |
| xen18-secor-neutral-second-mos-2 | MOS generated by a neutral second | 8 | 1200.0 | Xenharmonikon |